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Sizzling with celebratory rhythmic energy, this Zambian folk song loosely translates as: "Those who sing have the right to be called the children of God." The only accompanying instruments are hand drum
"If you can dream and not make dreams your master; if you can think and not make thoughts your aim..." There is no more appropriate text for choral singing than this famous Rudyard Kipling poem, and Linda
Opening with "Keep your lamps trimmed and burning!" as a dramatic rubato statement, this incredibly creative arrangement then kicks into a driving, rhythmically intense feel that never lets up! A most
"Electric fingers reaching, reaching, skipping, darting, fleeting, tapping on the clouds..." The vivid imagery and word painting in this creative original are further sparked by dynamic contrasts, rhythmic
Omnia sol temperat, "the sun warms everything," comes from a verse of Latin found in Carmina Burana. The composer's English text speaks to the human need to anchor words of love and commitment in
"On these three things the whole world stands: justice, truth, and peace." Widely known as Al Shlosha D'varim, this universal message is expressed in Hebrew and English in Amy Bernon's
The haunting yet whimsical quality of this piece, almost folk-like in nature, is truly refreshing! The lyrics center around a child who loves to sing during the day while playing, and at night "cries for
"There will be rest, and sure stars shining over the rooftops crowned with snow, a reign of rest, serene forgetting, the music of stillness holy and low." This masterful setting of Sara Teasdale's
"Why does the willow weep? What secrets does she keep? Is there a broken heart beating beneath the bark, hidden in the dark?" Vividly poetic, with sweeping melodic and harmonic textures, this is a